MASTER of Saint Veronica
German Gothic Era Painter, active ca.1395-1420

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MASTER of Saint Veronica Triptych oil painting


Triptych
1400-15 Tempera on wood, 58,9 x 39,5 cm
Painting ID::  32425
MASTER of Saint Veronica
Triptych
1400-15 Tempera on wood, 58,9 x 39,5 cm
   
   
     

MASTER of Saint Veronica The Man of Sorrow with the Virgin and St Catherine oil painting


The Man of Sorrow with the Virgin and St Catherine
1400-20 Panel, 41 x 24 cm
Painting ID::  51056
MASTER of Saint Veronica
The Man of Sorrow with the Virgin and St Catherine
1400-20 Panel, 41 x 24 cm
   
   
     

MASTER of Saint Veronica St. Veronica with the Holy Kerchief oil painting


St. Veronica with the Holy Kerchief
c. 1420 Tempera on oak, 78 x 48 cm
Painting ID::  52052
MASTER of Saint Veronica
St. Veronica with the Holy Kerchief
c. 1420 Tempera on oak, 78 x 48 cm
   
   
     

MASTER of Saint Veronica Triptych oil painting


Triptych
1410 Panel, 70 x 16 cm (each wing) Heinz Kisters Collection, Kreuzlingen It is unusual for the decoration on the backs of the wings to play an important thematic role in the visual programme of a triptych like this, but it does so in this case. When the triptych is closed one is presented with a moving depiction of Christ carrying the Cross, painted on a layer of red which was usually the support for gold leaf. Here the central motif has been isolated from the theme of the Carrying the Cross, which was of crucial importance for Late Medieval devotion. Having been isolated from the narrative, the image of the cross-bearing Christ acquires a validity unconnected with time or place.Artist:MASTER of Saint Veronica Title: Triptych (closed) Painted in 1401-1450 , German - - painting : religious
Painting ID::  63703
MASTER of Saint Veronica
Triptych
1410 Panel, 70 x 16 cm (each wing) Heinz Kisters Collection, Kreuzlingen It is unusual for the decoration on the backs of the wings to play an important thematic role in the visual programme of a triptych like this, but it does so in this case. When the triptych is closed one is presented with a moving depiction of Christ carrying the Cross, painted on a layer of red which was usually the support for gold leaf. Here the central motif has been isolated from the theme of the Carrying the Cross, which was of crucial importance for Late Medieval devotion. Having been isolated from the narrative, the image of the cross-bearing Christ acquires a validity unconnected with time or place.Artist:MASTER of Saint Veronica Title: Triptych (closed) Painted in 1401-1450 , German - - painting : religious
   
   
     

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     MASTER of Saint Veronica
     German Gothic Era Painter, active ca.1395-1420

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